Kate Hudson gave birth to a baby boy on Saturday in Los Angeles, Us Weekly reports.
The actress and Muse rocker fiance Matthew Bellamy are parents together for the first time; publicly dating since early 2010, Hudson told InStyle in April that a baby wasn't necessarily part of the plan -- not that she was complaining when she found out.
"Well, it wasn't like we didn't know what we were doing," she said. "There were no ovulation kits involved. We were tempting fate, and it worked... I didn't think I was going to have another kid until I was maybe 33 – that was in the back of my mind before I met Matthew. But we were so in love when it happened, it was just so exciting for both of us."
Hudson has a child, 7-year old son Ryder, from her previous marriage to Black Crowes rocker Chris Robinson. Hudson announced the pregnancy in January.

We may not have had the weather for them so far this summer, but short
shorts are still making a comeback, according to retailers.
Inspired by the classic look of the likes of Brigitte Bardot, pictured below, and Raquel Welch, women are embracing a fashion revival that leaves little to the imagination.
Industry sources claim the items are now not limited to holiday use, despite an average downwards length of less than four inches from the waist-line.

Read more: http://www.dailymail.co.uk

Being stuck near Octomom and her brood on a plane would be many travellers' idea of hell.
But that's exactly what happened to unlucky actress Kristen Johnston yesterday when she found herself in close proximity to Nadya Suleman and 12 of her children on a flight to Los Angeles from  New York.
According to TMZ, the star, most famous for her role as Sally Solomon on comedy 3rd Rock From The Sun, got so fed up with Suleman's loud brood that she asked her to keep the noise down.

But apparently, the mother-of-14 did not take too kindly to Johnston's comments, telling her: 'How would you like me to keep eight two-year-olds quiet?'
To which the actress allegedly responded: 'Get more help!'
Suleman's representative told TMZ that she shouted back: 'Why don't you grow a baby and get a life.' 
Source http://www.dailymail.co.uk 

Rihanna's raunchy performances are known to be hot and fiery.
But the singer's stage literally caught on fire last night during a concert stop in Dallas as part of her Loud tour forcing her to cancel her performance.
The show started normally with the Bajan songstress singing and dancing on stage but when a light on a beam above the star set ablaze it caused panic in the American Airlines Center.


Rihanna, 23, was was quickly escorted from the stage when her crew noticed the trouble above.
The fire raged for up to five minutes with revellers screaming and taking pictures of the incident.
Fans who were near the front of the stage were moved back towards the exit doors.
CBS Dallas-Fort Worth report that the blaze started from the pyrotechnics that were built to bring a colourful backdrop to the Bajan star's stage show.
Although stage hands put out the initial fire, the emergency services were also called.
Dallas Fire Rescue Captain Johnny Bates told the CBS affiliate that there were no serious problems as a result of the fire.
'One of our engine crews did enter the building but crew members with the AAC or concert put out the initial fire. Everything is under control and there are no injuries,' he explained.
But the Umbrella star was upset that she had to cancel the tour date but said she would make it up to her fans.
She tweeted: 'DALLAS!!! We set the stage on FYAH tonight!!! LITERALLY!!! I'm so pissed, I was havin so much fun wit yall too!!! I gotta come back man!!'
Rihanna added that she was 'heading into a production meeting to find out exactly what happened'.

It's the middle of the night when I wake up. Chris Mathews – one of my good friends and my husband Josh’s best friend – is at my bedroom door. We are visiting my sister Moo in Florida but Josh couldn’t come because of work.
Josh has been in an accident, Chris says. I picture a broken arm. But there is something in Chris’s voice that isn’t right. Moo comes in. There are frantic phone calls. My left leg starts to shake uncontrollably. I know. No one says it, but I know.
We leave for the airport. Back home in Michigan, my family is waiting. Dad drives to the hospital. Mum sits in the back with me and strokes my hair. I hold a pillow over my stomach. I am five months pregnant. We had just found out that we are having a boy.
At the hospital, I walk into Josh’s room and everyone leaves except Uncle Alex. Uncle Alex is a doctor. He actually delivered me and Josh. We thought this was a testament to the star-aligned quality of our relationship. Now Uncle Alex is standing over Josh’s pale, still body explaining how he died.
Last night, Josh went out carveboarding. A carveboard is a modified skateboard that rocks from side to side and imitates the motion of a surfboard. Josh was not wearing a helmet. He never did. ‘He fell backwards and hit his head. It crushed his skull into the back of his brain. He died in less than three minutes,’ Uncle Alex says.
Uncle Alex leaves and I cry relentlessly. My whole body shakes. I don’t touch Josh. I do not want to feel him cold. ‘I’m not angry with you,’ I say. ‘And I will take care of our son.’
Days pass. At the funeral, there are over a thousand people. Afterwards, I read Josh’s death certificate over and over: ‘Date of birth: 21 December 1979. Date of death: 17 June 2007. 1.21am. Trauma to the head.’ 17 June was Father’s Day.
More days pass. I see my obstetrician. I tell him I have this strange anxiety that my grief will attack the baby. He says: ‘You will be fine. Your body knows exactly what to do. But you need to work on your brain.’
He hands me a card: Dr Ellen Guriza, PhD, psychologist. ‘I’m not suggesting that you go and see her,’ he says. ‘I am instructing you, as your obstetrician, to see her. The sooner the better.’

‘Tell me about Josh. What kind of person was he?’ she asks. ‘He was amazing. He was a real man,’ I babble through my tears, telling her how he was the best at everything – a great driver, surfer, soccer player. His job – he was a sales rep for a medical supply company – was never a huge part of his identity, but he wanted nothing more out of life than to be a dad. Dr G tells me, ‘You’re going to cherish these memories.’ I nod but I don’t believe her.
At my next appointment, Dr G initiates another topic. ‘Natalie, let’s talk about your house. You need to start going back there.’ I don’t know what to say. In the month since Josh died, I have been staying with my parents. I hate going to my house. Everything is horrible. The sound the door makes when it opens. The pictures. Josh’s car in the drive. But the worst is the nursery. The day before Josh died he had cleaned out our old office for the new nursery. He was going to redo it while I was away and surprise me when I got home. Sometimes I forget that I didn’t just lose Josh, but I also lost my baby’s father. When I walk into the empty nursery something slams into me so hard it almost knocks me to the ground.

I don’t know if allowing Deedee to do this is OK but I go along with it. I just want it over and done with.
All my life, I’ve been the type of person who takes the accelerated route; normally it takes five to six years to train to be a teacher, I did it in four. When Dr G tells me that grief takes time, I want
to say, ‘But what about the smart kids?’ Yet one of the first things I’ve realised is that grief goes
at its own speed. 
Deedee does an amazing job with the decorating. I move back into the house, but on my first night alone, I can’t sleep or think.
I look for a book – I just want something light and funny. On the shelf I see Jelly Belly – one of my dad’s all-time favourites. It’s about a boy who goes to fat camp and hides food in his swimming trunks. We have it because Dad gave it to Josh to read. I open the book and tucked inside the front cover is a photograph of Josh and me dancing at our wedding. I feel a pain in my stomach. Josh always used photographs as his bookmarks. I think of him looking at it, smiling and saying to himself, ‘Yeah, I like this one.’
I return to my double bed with its single pillow and one body, but I don’t read Jelly Belly. I know
I will survive, but I hate my life.
I go to breakfast with a colleague and she keeps saying, ‘But really, you must be so thrilled to be pregnant, despite everything.’ I just stare at my plate. This is the most frightening thing in the world – to have a baby without my husband. Am I thrilled? No. I’m scared and sad.

The female co-CEO of Archie Comics is accused of going on a phallic outburst in the office recently ... allegedly pointing at employees and shouting "PENIS, PENIS, PENIS, PENIS." Oh, Archie!

Archie Comics Publications has filed legal papers against co-CEO Nancy Silberkleit -- claiming she has a history of bullying and sexually harassing employees ... and she must be stopped!

According to the lawsuit, filed yesterday in NY, several employees have lodged complaints about Nancy's "offensive" behavior ... including one time in 2009, when she barged into a meeting and "pointed to each [attendee] and said, 'PENIS, PENIS, PENIS, PENIS' and then walked out."

Nancy allegedly pulled the same "penis" stunt again in 2010 -- but this time she also screamed out, "My balls hurt."

Archie Comics claims it hired an outside firm to investigate the allegations -- and the company recommended Archie cut ties with Nancy ASAP.

Now, Archie wants a judge to grant an injunction -- barring Nancy from returning to the office ... and preventing her from representing the company at the upcoming Comic-Con in San Diego.

Attempts to reach Nancy were unsuccessful.

Katrina Kaif doesn’t regret any of her decisions and feels people can get bored if every film has item songs

What excited you about ‘Zindagi Na Milegi Dobara’?
The film itself excited me. Whatever genre I work in, I try to ensure to check if it’s entertaining for the audience and that’s what I did for this film too. It’s a youth film and a lot about what our generation is feeling today. And you don’t have to do the same kind of comedies just because it’s working. So I wanted to be a part of this because it was a different film.

Every film is different, how is this any ‘different’?
Like ‘Ajab..’ was a commercial comedy aimed at kids and ‘Rajneeti’ was a serious drama, this in that sense is a different film and one that I felt that people will enjoy watching.

Do you have a checklist for selecting a role?
No, never. I follow a very general instinct. If I like something and it sounds like it’s going to fun, I go for it. I don’t calculate or check that the film has this or that. It should just be an entertaining film for the audience.

The film looks like it’s about three guys on a road trip. So have you been on one yourself?
I travelled a lot across Europe when I was growing up. But those were not so fancy as this and not so much fun either and I was very young then. I wouldn’t call this a road trip film though, it’s just a backdrop of the film. It’s more of a ‘coming of age’ film about these three guys at a turning point of their lives.

What were the challenges in playing your part in this film?
The challenges were in the adventure part of it but in a film like this when you have very good actors, it’s just that everyone plays their part and there are not many challenges.

In a multi-starrer like ZNMD, there’s a huge chance of getting lost, so how do you create your identity in the film?
You just have to try and do it. That’s part of the challenge.

Since it’s a fun film, did you guys have a blast on the sets?
It was definitely a very memorable experience. And I feel everyone just came together in a way. When you’re travelling constantly, going to different beautiful cities in Spain, everyone has to put aside their personal issues and airs for a while. And we did bond a lot and it was a special journey in a way for all of us.

Since you’ve been branded for your dance numbers, what are the pros and cons for the same?
I don’t think there can be any cons for it. But that doesn’t mean that every film should have a dance number in it. I think it’s wonderful that they’ve accepted and liked my songs and my dancing. But if it’s there in every film, they’ll get bored of it. You have to break it up. Like in Rajneeti, there were no songs. And at that time, songs were a huge part of what I was doing. The audience wants to see a complete entertainer, songs or not. The next film I’m doing with Imran Khan is a full-on musical and will have dance number again. So you have to keep changing.