Up until about a year ago, the most direct line Kenny Wormald could  draw from himself to Kevin Bacon in that famous game of six degrees  involved a lifetime of staring at the television screen. Now, the  26-year old Boston native IS Kevin Bacon, for all intents and purposes.
As the star of the new big screen remake of the iconic dance film  "Footloose," Wormald is charged with breathing new life into Ren  McCormack, a big city bad boy dance savior of Beaumont, Texas, the  portrayal of whom launched Bacon to superstardom in 1984. But as  daunting as that task may seem, the real pressure came for Wormald, a  seasoned dancer with just a few small film credits to his name, in  getting the part in the first place.
"I had more pressure on myself for booking the role. Once I booked  it, I felt amazing because I put a ton of work into the audition  process, and then all of the sudden the weight of, oh yeah, you have to  make 'Footloose' now hit me, and I was like 'okay, here we go,'" he  remembered in a conversation with The Huffington Post on Thursday.
The trepidation makes sense; throughout the film's protracted  pre-production, there were a number of big names attached to star in the  film, including this generation's top singing and dancing teenager, Zac  Efron. And he'll co-star with "Dancing With The Stars" dancer Julianne  Hough, a star in her own right, and girlfriend to megawatt personality,  Ryan Seacrest. So, pressures on. But again, the confident Wormald was  mainly concerned with his own moves.
"You know, its funny, you can always compare yourselves as dancers  and actors and you're like 'oh man I could've done that and then it was  all of the sudden boom, it was my opportunity to prove that I could do  that. So I was glad that the Ren character had such a buzz, because of  those guys, and I think it's really cool it ended up being me," he said.  In fact, he thinks his casting has its unique advantages for the film,  too. 
"As a dancer, I think y'know, I did a lot of the stuff in the film  and you didn't have to use choreography, a stunt double, excuse me a  dance double, and you know I was totally psyched for the opportunity and  I didn't care who was onboard before," Wormald insisted. "It was my  movie, and it was my mountain to climb, along with the help of an  amazing director in Craig brewer, I think we did a great job at it."