The powerful amberjack was so massive it might have been a world record.

But the fisherman who battled the monstrous fish, and the Mexican crew that helped deliver it from the Sea of Cortez to a remote Baja California beach, were not thinking about records.

They marveled at the size of the fish and hefted their great prize as if to see if it could, indeed, be hefted—then carved it up for fish tacos and fillets for the grill.
amberjack

Capt. Raymundo “Mundo” Lucero Geraldo poses with giant amberjack. Top photo shows another captain hefting the prized game fish. Photos by Esteban Romero

The International Game Fish Association lists a 156-pound amberjack caught off Japan in 2010 as the all-tackle world record. The fish caught last week by Kevin Shiotani was conservatively estimated to weigh at least 135 pounds.

As anyone who has done a lot of weight-guessing knows, however, estimates can be wildly inaccurate.

Regardless of a possible record lost, Shiotani’s amberjack is one of the largest ever caught, although it’s likely that larger specimens have been hooked and lost in the rocks.

The catch was made after a 25-minute struggle near Cerralvo Island, the southern-most island in the Sea of Cortez.

Shiotani is a regular customer of Tailhunter International Sportfishing, a La Paz-based charter business that trucks clients to a remote beach to fish Cerralvo and offshore waters out of pangas, or large skiffs.

Jonathan Roldan, who owns Tailhunter International and Tailhunter Restaurant, explained the catch to Phil Friedman Outdoors Radio.

“Kevin fought the fish for 25 minutes to a half-hour and got it to the boat and, of course, blew everyone away,” he said. “They stuck a gaff in it, got it back to the beach, and started taking pictures. It’s a magnificent fish.”

Roldan said there was no scale on the beach and that he was not present when the fish was brought ashore. Had he been, he would have been sure to get the behemoth weighed on a certified scale.

He said that because amberjacks are so powerful and always lurk near structure, the larger fish are incredibly difficult to land.

“The largest we’ve put on a scale is 110 pounds, and 60- to 70-pounders have taken an hour or two hours to put on the boat, so this is just a fish that [Shiotani] happened to turn and put the wood to it, and got it back out of the rocks and got it to the boat.

Damon Lindelof, producer of "Star Trek Into Darkness," responded Tuesday on Twitter to criticism about his treatment of one female character.

In the second "Star Trek" film, which was released on May 16th, Alice Eve, who plays Dr. Carol Marcus, one of the few speaking female roles, strips down to her underwear for no explicable reason. This prompted an outcry from "Star Trek" fans such as The Mary Sue's Jill Pantozzi. She explained her issue with the scene thusly:

    Eve’s character of Dr. Carol Marcus was touted to have incredible intelligence, though instead of allowing her to use it to effect the plot, she was used as the most blatant eye-candy I’ve seen in a long time. We see this kind of thing a lot in Hollywood, sure, but the scene in question was akin to an actor holding up and verbally speaking the name of a can of Coca-Cola during a scene about cats or general surgery.

This morning Lindelof took to social media to address his critics and actually issued somewhat of an apology. He tweeted:

We respect Lindelof for recognizing the criticism and acknowledging it head on. As io9's Meredith Woerner put it: "It was horribly ridiculous and we're glad they learned from their silly decision to force the one new female character with speaking lines to strip in front of Captain Kirk."

The massive circular structure appears to be an archaeologists dream: a recently discovered antiquity that could reveal secrets of ancient life in the Middle East and is just waiting to be excavated.

It's thousands of years old -- a conical, manmade behemoth weighing hundreds of tons, practically begging to be explored.

The problem is -- it's at the bottom of the biblical Sea of Galilee. For now, at least, Israeli researchers are left stranded on dry land, wondering what finds lurk below.

The monumental structure, made of boulders and stones with a diameter of 230 feet, emerged from a routine sonar scan in 2003. Now archaeologists are trying to raise money to allow them access to the submerged stones.

"It's very enigmatic, it's very interesting, but the bottom line is we don't know when it's from, we don't know what it's connected to, we don't know its function," said Dani Nadel, an archaeologist at the University of Haifa who is one of several researchers studying the discovery. "We only know it is there, it is huge and it is unusual."

Archaeologists said the only way they can properly assess the structure is through an underwater excavation, a painstakingly slow process that can cost hundreds of thousands of dollars. And if an excavation were to take place, archaeologists said they believed it would be the first in the Sea of Galilee, an ancient lake that boasts historical remnants spanning thousands of years and is the setting of many Bible scenes.

In contrast, Israeli researchers have carried out many excavations in the Mediterranean and Red Seas.

Much of the researchers' limited knowledge about this structure comes from the sonar scan a decade ago.

Initial dives shortly after that revealed a few details. In an article in the International Journal of Nautical Archaeology published earlier this year, Nadel and fellow researchers disclosed it was asymmetrical, made of basalt boulders and that "fish teem around the structure and between its blocks."

This Saturday, "Star Wars VI: Return Of The Jedi," the capstone of George Lucas' original trilogy, turns 30. Not only does this mean you're old, it means it's time to consider precisely 30 things Lucas and his wildly successful franchise introduced into the world. Some (incest kiss) aren't too popular; others are downright magical. But they're all here thanks to one man and his crazy, mad expensive, dream. Time to scroll, like those revolutionary opening credits.

1. Crowd pleasing science-fiction. Big budget sci-fi movies before "Star Wars” tended to be apocalyptic, along the lines of "Planet of the Apes," or "Soylent Green". Lucas didn't eradicate that genre entirely, but he made room for a new one. In a matter of a few years after "Star Wars," we got not only "Alien" and "Blade Runner," but the significantly kinder world of “E.T.”

2. A "used future." Film scholars credit George Lucas for pioneering the concept (made famous again in later sci-fi movies like “Alien”) -- with spaceships that are dingy rather than shiny, furnished with a hodgepodge aesthetic.

3. An unknown cast, but not for lack of trying. Luckily, Sissy Spacek, Jodie Foster, Al Pacino, and James Caan effectively turned Lucas down, and we landed up with Carrie Fisher as Princess Leia, Mark Hamill as young Luke Skywalker, and Harrison Ford, in his first starring role, as Han Solo.
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