Ain't no drama like T. Swift drama cause the T. Swift drama don't stop.

As cover star of Rolling Stone's September issue, Taylor Swift told the magazine that "Bad Blood," a track off her upcoming album "1989," is aimed at a fellow pop star. Since then, the Internet has run wild with speculation: who in the depths of Hollywood could be, as she put it, "straight-up enemies" with T. Swift?

Though everyone from Miley Cyrus to Carrie Underwood is considered a possible frenemy, the World Wide Web seems to focus its investigation on one prime suspect: Katy Perry.

Why? Some have taken the easy route and pointed out that, helllloooooo, they have an ex-boyfriend in common:
"And it wasn't even about a guy!" she told Rolling Stone. "It had to do with business. She basically tried to sabotage an entire arena tour. She tried to hire a bunch of people out from under me."

Hmmm. Others have pointed out that, according to an article in the Examiner from December 2013, three of Swift's backup dancers left mid-tour to join Katy Perry's troupe.

"I was with Taylor for the first six months,'' backup dancer John Brownlie told the Examiner. "It was a great experience and she's a great person to work with, but then Katy contacted us.''

Brownlie, who had previously toured with Perry on her California Dreams world tour, told the Examiner, "Obviously we were with Katy for two and a half years. She's like family to us, so we were, like, 'absolutely.'"

"I have lots of songs to write about. Lots of things to write about." So says a teenage Katy Perry -- then Katy Hudson -- in a newly unearthed video from 2001 posted to Vimeo by award-winning cinematographer and videographer Jim Standridge.

"I was very fortunate to meet and hangout with this genuine talent in the beginning of her career," Standridge wrote in a note accompanying the video. "The other day I was cleaning out some old footage in my office and found 90 minutes of raw footage I had totally forgot about. [...] I think Katy has grown into an amazing entertainer and woman."
Standridge cut the 90 minutes down to just under 13, and the package showcases Perry's preternatural talent. Then a Christian singer-songwriter, Perry's work has an unmistakable Alanis Morisette vibe, but there are some guitar licks that also sound a little like early Radiohead (specifically from "The Bends"). The video closes, appropriately, with Perry singing "Last Call," one of the tracks from her 2001 album, "Katy Hudson."

HuffPost Entertainment contacted a representative for Perry to see if the singer had any comment or remembrance about the video. This post will be updated if and when they respond. In the meantime, watch Standridge's video below.

I'm not exactly sure who Katy Cocktease is supposed to be. I'm going with Cleopatra or somebody Egyptian. I suppose it ties in with one of her little pop ditties or something or maybe I'm missing out on a new wave of scarab inspired fashion. Nevertheless, I was mostly checking out her legs. Yes, Katy can cocktease even with her special gams, not quite as exceptional perhaps as her bodacious bosom but nevertheless, the worked out stems of a woman who prances the stage for a living.

Someday, when Katy reveals herself in her entirety, as I have  foreseen in visions, maybe you'd call them masturbation fantasies, we shall see the entire package and her nickname will change. Until that time, it's all about trying to peek up her skirt at awards show acts. Hey, it's an honest living.

Katy Perry unveiled the video for "Dark Horse" on Thursday, and boy, do we have questions. Lots of them. Like: Why? Why is anything that happens in it happening?

If you haven't watched, it appropriates ancient Egyptian culture and symbolism, and, well, that's about all we can tell you. We could pretend like we have all the answers, except we don't have a single answer. So here are a lot of questions raised by "Dark Horse."
Katy Perry proved she was ready for a perfect storm on Thursday, dropping the music video to her latest single, "Dark Horse" (featuring Juicy J). The visuals are like, what? A nod to "Cleopatra"? A spoof of "Avatar"? Some random parody of Michael Jackson's "Remember The Time"? All of the above? None of the above? Watch below?

Anna Kendrick talked about her Grammy experience on Conan the other night and spent what seemed like 5 whole minutes gushing over Beyonce. Then she casually mentioned Katy Perry fingerbanged her cleavage.

Dear god, woman. You’re supposed to lead with stuff like that. Not say it as some afterthought in an interview.

Kendrick said she was asking for it because of how she was dressed which I know is a joke but when I fingerbang her cleavage at the next event she’s at, that’s what my legal defense will be built on.

Lady Gaga and Katy Perry have been pitted against each other as pop rivals for the better part of the year. As dueling singles, albums, music videos and press opportunities have found critics and fans questioning which singer is the reigning princess of pop, Perry is speaking out to quash the rivalry image that exists between the two.

“Gaga and I like to publicly dismiss it because it’s not healthy," Perry told Entertainment Weekly. "You want to feel music. You want it to resonate and relate to you. You can’t look at it like a competition because you ruin the reason why you love music. But I think that sometimes our fan groups are so big and strong, they use it as ammunition.”

That "ammunition" first kicked into high gear when Gaga's "Applause" and Perry's "Roar" -- the lead singles from their respective albums, which arrive just a few weeks apart from each other -- leaked at the same time. Since then, it's been a tit-for-tat between the singers' fans. It's a bit easier for Perry to denounce any form of a "competition," as forecasts for the sales of the two singles indicated that Perry would come out on top by a wide margin. Indeed, "Roar" sold 557,000 digital copies, while "Applause" saw 218,000 downloads.

In a year that's seen Joan Rivers, Sinead O'Connor, Cher and others speak out against Miley Cyrus' pop-culture reign, the conversation about fostering female rivalries in the media has escalated.

"I just think it's very unfair of anyone to pit another woman against another woman, especially in the space of music, when we're all just trying to be taken seriously at all as females," Gaga told Andy Cohen in September during an appearance on "Watch What Happens Live."

Now, as Gaga's "ARTPOP" makes its long-awaited debut on Nov. 11, the album will inevitably face comparisons with Perry's "Prism," which came out Oct. 18. "Prism" debuted at No. 1 with 286,000 copies sold. The next needless contest between the two women will center on which of them can produce the more impressive first-week sales. Perry topped Cyrus as the highest-selling debut of the year by a female artist. Can Gaga now top Perry? It's all in the "competition."

Read more: http://www.dailymail.co.uk

KATY Perry insists there will be none of her usual risqué antics on show when she takes to the big screen as a Smurf.

The sexy singer — who’s married to British comedian Russell Brand — provides the voice of Smurfette in this summer’s Smurf movie but she insists her performance and animated alter ego, unlike her music videos, will be completely family friendly.

“It’s a great film that all ages can enjoy,” says Katy.

“There’s no sneaky innuendo’s or sort of taboo things. It’s a positive story, it has a sweet side, there’s a great message. It’s just one of those ‘you can’t go wrong’ type of films. It’s very family orientated.”

Perry recently spoke of her love of the Smurfs.

“I love the Smurfs,” she said.

“They’re so cute. I want all the t-shirts and toys even now. In fact I should be getting them free with me being Smurfette. I can start a whole collection.”