Harry Potter And The Deathly Hallows Part Two
HARRY Potter star Daniel Radcliffe revealed this week that acting had driven him to drink.
And I know exactly how he feels.
His acting's often driven me to drink too. Particularly during that difficult Half-Blood Prince "k.d. Lang lookalike" phase.
Yes, the Harry Potter film series has had more unsightly wobbles than Hagrid doing squat thrusts on a Power Plate.
Not just for Daniel - who, let's be clear, is brilliant in this final chapter. But in terms of looks, script, pacing, casting and everything else to boot.
When things clicked, boy did they click. Philosopher's Stone, Prisoner Of Azkaban and Deathly Hallows Part One all had an awesome, heart-swelling and uniquely British power that no other family fantasy film series could touch. (I'm looking right at you, Aslan old son.)
But when they didn't (all the others) the films were fiddly scene-by-scene replicas of books that really needed to be kicked into a movie-like shape before being put on the big screen.
The good news - the frickin' brilliant news, in fact - is that Deathly Hallows Part Two is a better ending than the saga probably deserves. Because not only is it the perfect companion piece to last year's brooding, suspenseful and frostily beautiful Part One, it's pure blockbuster cinema done right (not counting 10 minutes of unavoidable straight-from- the-book plot clunkery at the start).
The story kicks off with the same kind of brief, wordless scenes that set up Part One so well.
Lord Voldemort (Ralph Fiennes doing a Brian Sewell impression) has just pinched the Elder Wand from Dumbledore's concrete death bunker.
Snape (Alan Rickman, looking more and more like the lead singer in a Cure tribute act) is overseeing the Death Eaters taking charge of the remaining Hogwarts students, including Draco Malfoy (Tom Felton) and Neville Longbottom (Matthew Lewis, who finally gets a chance to shine and NAILS it).
And Harry, Ron and Hermione (Daniel, Rupert Grint and Emma Watson) have regrouped at Shell Cottage, before they continue on their quest to destroy the remaining horcruxes.
While the film doesn't make any efforts to explain this set-up to newcomers, there's unlikely to be any of them in the audience anyway.
And I know exactly how he feels.
His acting's often driven me to drink too. Particularly during that difficult Half-Blood Prince "k.d. Lang lookalike" phase.
Yes, the Harry Potter film series has had more unsightly wobbles than Hagrid doing squat thrusts on a Power Plate.
Not just for Daniel - who, let's be clear, is brilliant in this final chapter. But in terms of looks, script, pacing, casting and everything else to boot.
When things clicked, boy did they click. Philosopher's Stone, Prisoner Of Azkaban and Deathly Hallows Part One all had an awesome, heart-swelling and uniquely British power that no other family fantasy film series could touch. (I'm looking right at you, Aslan old son.)
But when they didn't (all the others) the films were fiddly scene-by-scene replicas of books that really needed to be kicked into a movie-like shape before being put on the big screen.
The good news - the frickin' brilliant news, in fact - is that Deathly Hallows Part Two is a better ending than the saga probably deserves. Because not only is it the perfect companion piece to last year's brooding, suspenseful and frostily beautiful Part One, it's pure blockbuster cinema done right (not counting 10 minutes of unavoidable straight-from- the-book plot clunkery at the start).
The story kicks off with the same kind of brief, wordless scenes that set up Part One so well.
Lord Voldemort (Ralph Fiennes doing a Brian Sewell impression) has just pinched the Elder Wand from Dumbledore's concrete death bunker.
Snape (Alan Rickman, looking more and more like the lead singer in a Cure tribute act) is overseeing the Death Eaters taking charge of the remaining Hogwarts students, including Draco Malfoy (Tom Felton) and Neville Longbottom (Matthew Lewis, who finally gets a chance to shine and NAILS it).
And Harry, Ron and Hermione (Daniel, Rupert Grint and Emma Watson) have regrouped at Shell Cottage, before they continue on their quest to destroy the remaining horcruxes.
While the film doesn't make any efforts to explain this set-up to newcomers, there's unlikely to be any of them in the audience anyway.