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  • Just because I like the name Sidharth doesn’t mean I’m rekindling anything, says Alia Bhatt

    Last year, she completed a glorious five years in Bollywood, and the sixth year started off on a “super busy note” for Alia Bhatt. But she is clearly not complaining. “I always want my working atmosphere to be a happy one,” says the actor, as she gears up for the release of her next, Raazi. She also talks about her working style, link-up rumours and more.

    Thank God, my manager takes care of my date diary (laughs). But it is a crazy time for me. This is the most that I have worked continuously. I have worked every day since January without even a single day off. But I am not complaining as it’s a new kind of time for me. I am learning a lot about myself, my work, and I am understanding new things as well as meeting new people too. We are just in the fifth month of 2018 but it feels I have already gone through the whole year. It’s all going very fast but also slow in a way. The difficult part is switching between the characters. Fortunately, I have finished Gully Boy so, now I just have Brahmastra and Kalank but they both are in very different worlds. I just wish my directors lots of love and luck to handle this kind of a mess (laughs).
    I feel a film is made up of many characters, so it is not just me. But yes, one can say that Raazi is my solo film of sorts after some time. I would not say that it’s completely my film. It is very difficult without your co-actors to bring a character to life. Also, it has been a while since my last film (Badrinath Ki Dulhania; 2017) released, so I am a little nervous because I have never done such a film. There is no reference to do such a film. But the nervousness is there, regardless of a film being big, difficult or small. I will always be nervous but it’s a different kind of nervousness.

    I don’t know for sure but I think it does. I am feeling very tired, but not because of the physical aspects [of a character] but because every character that I am playing is quite layered. For instance, my part in Kalank is also quite difficult. I did not realise it initially, when I started shooting for it. But then, I was like, ‘it’s so difficult. Why am I struggling?’ On the second day, I gave 11 takes for one shot which has not happened with me for a long time. So I choose my characters thinking, ‘yeh kuch alag hoga but it’s like apne pair par kulhaadi maarna’. After this year is over, I just want to have fun and maybe do a nonsensical part with no hectic, stressful and layered work (laughs).

    Alia Bhatt takes part in a promotional event for the forthcoming Hindi film Raazi directed by Meghna Gulzar in Mumbai. (AFP)

    In an earlier interview, you said that a 20-something isn’t always a poster girl of pure positivity and constant joy…

    You know, I always try and remain positive but at the same time, I also feel, ‘why should the world feel your internal struggles?’ I want my working atmosphere to be a happy one. I want to only give love and positivity. But neither am I always happy nor I am permanently positive. I am constantly paranoid, worried from time to time, under confident and insecure as well. I don’t think these are bad emotions. There is a certain perception that you always need to be happy. I am totally against that. For me, happiness is not an emotion, but moments. I think happiness has been defined all wrong for us. Happiness doesn’t mean you have to be constantly giggling, smiling and laughing.

    I am a very positive and happy person. I certainly believe in the better things in life. But it does not mean that I don’t have bad moments. It’s okay if I don’t laugh too much on a certain day. To put it correctly, I like being warm and that’s my vibe. I can be sad but still be warm. So, I would rather be warm, cozy and comfy. Happiness is overrated.

    More than others, I have high expectations from myself. So, it never weighs me down. I won’t use the word ‘critical’, but I am quite objective about when I am killing it and when I am not. When I watch my film, I don’t think, ‘oh, I wish I had done it better’. I only judge what’s good and what’s not or what’s great and what is average, to be aware that I will be able to do it better the next time.
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    Sonam Kapoor's endearing candour, winsome frankness has set her apart from her contemporaries

    I write this piece about Sonam Kapoor, not as a fan but as a fellow person that respects difference in others. Sonam and I, if there is any room for comparison at all, hail from different worlds in this world. She is opinionated often, and sometimes, terribly misled in her understanding of the world, politics and various seismic socio-political aspects of our country. Like her co-star Kareena Kapoor Khan, sometimes, she says things strangely. Yet, Sonam endears because of her candour and ability to discern a different voice than hers — an art that has gone quite missing from Indian social conversations and chatter these days.

    Sonam Kapoor. Twitter/ Sonam Kapoor RussiaSonam Kapoor. Twitter/ Sonam Kapoor Russia
    Sonam’s world is filled with wealth, privilege, love — from her family, her sister, friends and now, Anand Ahuja. She delights in dressing up and like Kangana Ranaut, has taken Indian women’s fashion a few notches higher. A clotheshorse, she can pull off anything — be it a feathered, lavish gown on the Cannes red carpet, or an electric blue plastic like dress at the world’s biggest movie jamboree.
    As an actor, Sonam has scope for improvement. There is will to do better but efforts are still not quite there yet. She has improved as she has grown, and has tried to diversify as performer. Neerja, Raanjhana and now Padman reflect improvement. As part of a family production, she has tried to carve out a space with her sister Rhea Kapoor. Khoobsurat might bore at times but the character of Milli ‘gets’ what a girl wants. Similarly, Veere Di Wedding, where all its lead characters swear, does not make swearing by an educated, urban woman a ‘thing’. Perhaps, because, it is nothing out of the ordinary; women swear all the time. That part is impressive. A heroine turning producer makes news these days, as their courage is systematically lauded. But Rhea Kapoor, with Sonam as muse, had taken this path quite early on with Aisha — musically solid but an average film.

    For someone having watched her films and tracking cinema for a living, I took some time to actually meet Sonam Kapoor. And that was an eventful evening. I first met Sonam for a video interview for an entertainment news website, one that Bollywood usually loves to be featured on. My first impressions were ineffectual as I watched Sonam get ready for the interview, perfectly coiffured and styled, in a lavish and comfortable office space of their film company. As the young, sincere stylist clicked a photo to post on social media, Sonam struck a perfect pose, sighed elegantly and said, “These girls…!”. Looking divine or sighing elegantly or sitting perfectly have never crossed my mind — that is not what I usually want (from life). I also don’t feel self-conscious about my split ends (which I definitely had then), or near absent pedicure. But I was amused at just how naturally Sonam took to looking gorgeous — it was rather effortless, part of her as a person. I did feel a tad bit like an unironed cotton shirt.

    And then she tore right into me. Her grouse was with the website that I then represented, for not having controlled the trolling of Fawad Khan — the dashing Pakistani heart throb who was making his Bollywood debut with Khoobsurat. Their trailer launch coverage got some really mean comments. I heard her out, wondering if I should do a self-righteous huff and leave. After all, I had not said anything nasty about Fawad and the internet is open field.

    But I held my peace because beneath the sheen and glamour that she so perfectly projected, what Sonam was saying to me made sense. I offered an apology and said we would make amends. A bit miffed, she stated that everyone thought they (Rhea and her) were dad’s credit card brats, and they were not like that. For they made their own money since they were 17 or 18.  She also reiterated that fashion can never be any one person’s bastion and that everyone should wear what they feel comfortable in. An effort was made to cut through the glam diva public image during this conversation.

    7th Pay Commission This is first state to approve CPC recommendations, hiked salary from April only

    7th Pay Commission latest news today: Jammu and Kashmir has become the first state in the country to approve the recommendations of the 7th pay panel for its employees and also announced to pay revised salary from this month itself.

    From this month onwards, employees of Jammu and Kashmir government will start getting the revised salary as per the recommendations of the 7th pay panel.
    The Jammu and Kashmir government’s information department on Tuesday said the government employees of the state will start drawing revised scales of pay from April itself. “As already announced by Govt, the employees to draw revised scales of pay from current month,” the state information department tweeted.

    7th Pay Commission recommendations were implemented by the Centre two years ago. Addressing a press conference today, Jammu and Kashmir finance minister Altaf Bukhari said J&K is the first state in India to implement the 7th CPC recommendations. The minister further said that the state doesn’t have much resources but the chief minister Mehbooba Mufti has fulfilled the commitment she had made.

    Ground reality points at unlivable conditions with no drinking water or healthcare

    On April 9, the Supreme Court ordered the Centre to file within four weeks a status report on basic amenities provided to two Rohingya camps in Delhi’s Kalindi Kunj and Haryana’s Mewat. Over the next three days, The Indian Express visited four settlements, including these two in Delhi, Mewat and Faridabad, and found practically unliveable conditions — with no access to drinking water, education, healthcare or sanitation. What also came to light were tales of women being denied reproductive rights and children suffering from malnutrition and diarrhoea.

    Noor Fatima (23) is petrified of leaving her three-month-old daughter Shazia alone even for a minute, so she takes her everywhere — including when she has to defecate next to an open drain near her shanty in Shram Vihar.

    “She was a month-old when a rat bit her all over the face. I was bathing and when I came back, she was covered in blood and it was nibbling her face. Is this any way to live?” she asks.

    At the slum in Shaheen Bagh, 90 Rohingya Muslim families are spread across a cluster of privately-owned plots, which they have taken on rent. They have lived here since 2012, when, like a thousand others, they fled Myanmar because of religious persecution.

    Semi-naked children with protruding bellies run around, stepping on faeces, slush, used band-aids, dirty diapers, broken syringes and bloody gauze. In the midst of the settlement is a bluish mountain of medical waste, right next to one of two hand pumps put up by residents. While some Rohingya Muslims work as labourers, many search through garbage to sell items and earn a living.

    “We wash utensils at this pump, bathe here, and drink this water too. Everyone is sick here — breathing problems, malnourishment and stones. The children almost always have diarrhoea,” said Mohd Younis (28), who came to Delhi from Bangladesh in 2012, after fleeing the violence in Myanmar’s Rakhine State. SOURCE

    Special category status row: Statewide bandh in Andhra Pradesh, motorcycle set ablaze near RTC bus stand in Tirupati

    Andhra Pradesh Pratyeka Hoda Saadhana Samiti is observing a one-day statewide bandh today over the demand of Special Status for the state. Opposition parties such as the Yuvajana Shramika Rythu Congress Party (YSRCP), Jana Sena, Congress and the Left parties have also extended their support to the shutdown. A Motorcycle has been set ablaze near RTC bus stand in Tirupati during the statewide bandh in Andhra Pradesh.

    The Left parties are protesting on National Highway 16 which connects Kolkata and Chennai. In the meantime, Karnataka State Road Transport Corporation buses will operate only till Andhra Pradesh state border due to the statewide bandh. However, the Telugu Desam Party (TDP), which has been agitating for the Special Category Status and implementation of the provisions of the AP Reorganisation Act, has opposed it and not taking part in the protest.

    Reacting to the shutdown call, Chief Minister N Chandrababu Naidu said bandhs were not welcome as they hamper development.

    The Jagan Reddy-led YSRC hit back, accusing the Chief Minister of adopting 'double standards'. "When Naidu was the Opposition leader, he had called for bandhs on many occasions, but as a Chief Minister he is now opposing them (bandhs), saying they hinder development," YSRC political affairs committee member Ambati Rambabu said.

    Rambabu said Naidu should understand that bandh was a form of a democratic protest and he had no right to oppose it. The YSRC leader also alleged that the ruling TDP government was threatening those who were supporting the bandh, saying cases would be booked against them. "Why this intimidation? As long as they are peaceful, we will continue all forms of democratic protests," Rambabu added.

    Meanwhile, Andhra Pradesh Chief Minister N Chandrababu Naidu will observe a day-long hunger strike here on his birthday, April 20, in protest against the Centre's non-cooperation towards the state.

    During an event to mark Ambedkar Jayanti in Guntur district, the Chief Minister unveiled the designs of 'Ambedkar Smriti Van' to be built in Amravati spreading over 20 acres with a cost of Rs 100 crores.

    While addressing the gathering, he announced that he will sit on fast on his birthday i.e., April 20 as part of his fight over the Central government demanding to fulfill assurances made in Rajya Sabha including Special Category Status and provisions of Andhra Pradesh Reorganisation Act.
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    Samsung Galaxy Note 9 leaks, could be codenamed ‘Crown

    Samsung has already started working on the new Galaxy Note smartphone, expected to launch sometime this fall. Some details about the Galaxy Note 9 have surfaced online and a report by popular leaker Evan Blass reveals the codename the flagship device will carry. According to Blass, the Galaxy Note 9 is said to bear the codename ‘Crown’. The Galaxy Note 9 will succeed the Galaxy Note 8, which made its debut in August last year.

    This isn’t the first time we’re hearing that the Samsung’s Galaxy Note 9 codename is ‘Crown’. Last year, South Korean site The Investor reported that Samsung was developing the Galaxy Note 9 under the codename ‘Crown’. Samsung is calling the Galaxy Note 9 ‘Crown’ internally, which shows that the company wants to position its next flagship as the best phablet in the market. For example, the Galaxy Note 8 was codenamed ‘Baikal’ and this was used to highlight the phone’s gigantic edge-to-edge display. For those who’re not aware, Baikal is one of the largest lakes in Europe and Russia.

    The Galaxy Note 9 will hog all the limelight when it arrives later this year. After all, the flagship is likely going to compete with Apple’s 2018 iPhone X and Huawei’s next Mate smartphone. Expect the Galaxy Note 9 to feature the top-of-the-line spec sheet and features. The handset will use two different processors  – a Snapdragon 845 chipset and Samsung’s own Exynos processor — depending upon the market. Samsung Galaxy Note 9 will likely come with a set of dual cameras on the rear. Plus, of course, the Galaxy Note 9 will also feature the S-Pen stylus which can be used to take notes.

    Suresh Raina misses first IPL match for Chennai Super Kings after 158 games

    Suresh Raina missed his first match for Chennai Super Kings (CSK) on Sunday after featuring in 158 matches (including IPL and CPL). Raina joined the yellow brigade in 2008 and has played all the matches in every season until Sunday’s encounter against Kings XI Punjab (KXIP). This was after he sustained a calf muscle injury against Kolkata Knight Riders (KKR) at the Chepauk last week. However, Raina expressed hope that he will recover in time to feature in CSK’s next encounter on April 20th. Suresh Raina leads the charts of players with most consecutive Twenty20 games for a team with 158 matches. Virat Kohli follows him next with 144 for Royal Challengers Bangalore. MS Dhoni has played 124 for CSK.

    Reflecting on his injury, Raina spoke from the dugout during the match between KXIP and CSK and said, “There is still some soreness in my calf. Sometimes injuries happen. I missed one match for Gujarat Lions during the birth of my daughter. But I will work hard to get fit for the game on April 20.”

    Ruing the loss of Raina in CSK’s playing 11, coach Stephen Fleming had said that it was impossible to replace a player of Raina’s stature. “We can’t replace him (Raina), he’s one of the best performing players in the IPL and the highest run-scorer in the history (of the league). So we can’t replace him, we just got to find a way to minimise his loss,” Fleming said.

    “We’ve got good players in our set-up – Dhruv Shorey, Murali Vijay who’s played here last year. So there’s guys here with points to prove, with international experience, and if they get the chance they’ll do their best what Suresh Raina can do. (This is) an opportunity for someone else but you’d like to get someone like Suresh Raina back into your side as quick as possible,” cricbuzz quoted him saying.

    Isco Leads Real Madrid To Malaga Win With Cristiano Ronaldo, Gareth Bale Rested

    Cristiano Ronaldo and Gareth Bale were both rested and Real Madrid hardly broke sweat as they beat Malaga 2-1 on Sunday to climb to third in La Liga. Isco scored one and set up another at La Rosaleda in a comfortable victory for a much-changed Real side, following Wednesday's last-gasp Champions League win over Juventus. Diego Rolan grabbed a consolation for Malaga with the last kick of the game but the result was never in doubt. "Today I can be happy with a job well done," Real coach Zinedine Zidane said.

    As well as Bale and Ronaldo, Luka Modric and Raphael Varane were left out, with the all-important Champions League semi-final against Bayern Munich looming next week.

    But Isco did his chances of a start in Germany no harm at all by bending in a free-kick that both Ronaldo and Bale would have been proud of, and then generously teeing up Casemiro when he might easily have finished himself.

    After scoring his first Real goal in nine appearances against his former club, Isco held his hands up apologetically, and he enjoyed a warm reception from the Malaga fans when substituted in the second half.

    "He has always been important, despite what everyone thinks," Zidane said of Isco. "He is important, even if sometimes you think I have something else in my head."

    Victory means Los Blancos leapfrog Valencia, who were beaten by Barcelona on Saturday, but remain four points behind Atletico Madrid in second.

    Malaga, meanwhile, stay bottom and are all-but doomed, sitting 14 points behind 17th-placed Levante, who had earlier been beaten 3-0 by Atletico.

    Fernando Torres stole the show at the Wanda Metropolitano, marking the announcement of his Atletico departure with his 100th La Liga goal off the bench.

    Six days after confirming he will be leaving his boyhood club at the end of the season, Torres rolled back the years with a volleyed finish, reminiscent of the 34-year-old in his prime.

    "Fernando is an icon here," Atletico coach Diego Simeone said.

    US, Britain, France jointly strike Syria; Trump warns Russia, Iran

    The United States, Britain and France launched punitive military strikes against Bashar al-Assad's Syrian regime in response to its latest alleged chemical weapons atrocity, President Donald Trump announced Friday.

    Shortly after Trump began a White House address to announce the action, large explosions were heard in the Syrian capital Damascus, signalling a new chapter in a brutal seven-year-old civil war.

    "A short time ago, I ordered the United States armed forces to launch precision strikes on targets associated with the chemical weapons capabilities of Syrian dictator Bashar al-Assad," Trump said in a primetime televised speech to the nation.

    "A combined operation with the armed forces of France and the United Kingdom is now under way. We thank them both. This massacre was a significant escalation in a pattern of chemical weapons use by that very terrible regime."

    A US official said the strikes had targeted chemical production facilities. Another official said multiple types of bombs were used, and a variety of targets chosen.

    Trump also warned Russia and Iran not to stand by their ally in Damascus.

    "Russia must decide if it will continue down this dark path or if it will join with civilized nations as a force for stability and peace," he argued.

    The strikes had been expected since harrowing footage surfaced of the aftermath of the alleged toxic gas attack in the Damascus suburb of Douma, which took place a week ago, and Trump reacted in an emotional tweet.

    "Many dead, including women and children, in mindless CHEMICAL attack in Syria," he declared.

    "President Putin, Russia and Iran are responsible for backing Animal Assad. Big price to pay."

    Trump's anger and apparent determination was quickly matched by France's President Emmanuel Macron, who signed his country up for a joint response.

    Dadasaheb Phalke Award for Vinod Khanna, Sridevi gets best actress

    The 65th National Film Awards on Friday recognised the contribution of Vinod Khanna and Sridevi to the Indian cinema by honouring them post-humously with the Dadasaheb Phalke and best actress awards, respectively.

    Announcing Sridevi’s name, feature film jury head Shekhar Kapur said that the actor was the most deserving candidate. Khanna, one of the biggest stars of Hindi films in 1970s and 1980s, became the 49th recipient of Dadasaheb Phalke award, Indian cinema’s highest honour, in a befitting homage to the legend whose first death anniversary is barely a fortnight away. 

    Sridevi, whose filmography spanned across 50 years and in 300 films in languages such as Tamil, Telugu and Hindi, was recognised for her role of an angry mother seeking justice for her daughter in rape revenge drama, Mom. Her death, at the age of 54 in February this year, had shocked the country.

    Mr Kapur had worked with Sridevi in Mr India. “It was not because of the relationship we shared but because she was the most deserving candidate for her portrayal in Mom,” Mr Kapur said.

    Sridevi’s husband Boney Kapoor became emotional when told about her win. “Thank you. I just wish she was here today to see this,” Mr Kapoor told agencies.

    The jury recognised the diversity in Indian cinema by appreciating films belonging to different regional languages. Rima Das’ Assamese film Village Rockstars, about the music aspirations of a village girl, was named the best feature film, besides scoring awards for the best location sound recordist, editing and best child artiste (Bhanita Das).

    Jayaraj was named the best director and the best adapted screenplay writer for his Malayalam film Bhayanakam. It also won the best cinematography award.

    Riddhi Sen was recognised as the best actor for Kaushik Ganguly’s Nagarkirtan, which was also bagged awards in multiple categories, such as the best costume, makeup and special jury.

    Oscar-winning music composer A.R.Rahman swept the best music direction category by winning the best songs for the Tamil Film Kaatru Veliyidai and the best background music for the Hindi film Mom. Sinjar, made in Jasari language, won the Indira Gandhi award for the best debut film for director Pampally. It was also recognised as the best film in Jasari langauge.

    Blockbuster Baahubali: The Conclusion won national award for best popular film providing wholesome entertainment, besides being named for special effects and action direction. Ganesh Acharya won the choreography award for the Hindi film Toilet: Ek Prem Katha.

    Hindi film Newton, a dark comedy on Indian democracy, was named the best Hindi film and a special mention went to its actor Pankaj Tripathi for his portrayal of a cynical CRPF officer Atma Singh. Mr Kapur called Mr Tripathi’s portrayal one of the highlights of the Amit V. Masurkar-directed film.

    “This is a very important day for me, and an equally important award. I am thankful to the government for recognising my work. When I stepped out of my village, I had the desire of winning a national award someday. I am humbled,” Mr Tripathi told PTI.

    Nargis Dutt award for the best feature film on national integration went to the Marathi film Dhappa, while Malayalam film Aalorumkkam was recognised as the best film on social issues. Hindi film star Divya Dutta was named the best supporting actress for her role in Irada, which also bagged the award for the best film on environmental conservation/preservation.

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